Fujifilm XF 50-140mm f/2.8 R LM OIS WR 9,3/10 (7 reviews) Bekijk alle accessoires Fujifilm lenzen +6 +5 2,8 - 22 Beeldstabilisatie Bekijk alle specificaties Bekijk alle specificaties Plus- en minpunten. Volgens onze cameralensspecialist Fujifilm XF 50-140mm f/2.8 R LM OIS WR Fujinon Lens. Write a review. GTIN: 4547410289862. CODE: fuji50-140. Availability: In stock. US$ 72mm UV Filter: 72mm CIR-PL Filter: Warranty: Quantity: Add to cart Add to wish list. Your name. Your rating. Excellent! Very Good Average Fair Poor. Your message. I agree to have my personal data processed as Fuji 50-140mm f/2.8 review The Fuji 50-140mm f/2.8 is a workhorse. It's a rugged and reliable lens that delivers consistent and pleasing results. Mar 3, 2021 X100V field test I borrowed an X100V for the weekend to test the new lens and to see how it compares to my everyday camera - the X-T4. Jul 31, 2020 Fuji 200mm f2 review FUJIFILM XF 50-140mm f/2.8 R LM OIS WR Lens hire is available for rent from RENTaCAM Sydney. Open 7 days, local Sydney pick up, AU delivery. FUJIFILM XF 8-16mm f/2.8 R LM WR Lens hire is a 12-24mm-equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range. The optical layout Fujifilm XF 50-140mm f/2.8 R LM OIS WR Lens. More Info. FUJIFILM GF 30mm f/3.5 R WR Lens . More Info. FUJIFILM XF 150-600mm f/5.6-8 R LM OIS WR Lens. More Info. Items 1-30 of 33. Sort By . Page. You're currently reading page; 1 Page 2; Page Next; My Account. My Account; Track My Order Fujifilm 50-140 f/2.8R GIỚI THIỆU Ống kính Fujifilm 50-140 là một ống kính tele với dãi tiêu cự dài rất thích hợp cho các nhiếp ảnh. rất phù hợp để làm việc với các đối tượng ở xa với tính năng chống rung ổn định hình ảnh quang học giúp giảm thiểu sự rung để tạo ra hình ảnh sắc nét hơn khi làm việc trong điều kiện ánh sáng trong suốt dải zoom. aSxtU3. Quick Facts about the Fujifilm XF 50-140mm f/ R LM OIS WR Lens Weight lb/995 GramsWeather Sealed YesFilter Size 72mm Angle of View to DegreesFocusing Distance Aperture Aperture F22Image Stabilization YesMount System Fuji XPrice $1,599Zoom Internal Who is the Fujifilm 50-140 for? This 50-140 Full-Frame Equivalent is 76mm-213mm focal length is a staple amongst event photographers. It’s low-light functionality variable telephoto length, and superb image sharpness rightfully place this lens amongst Fuji’s best “red-badge” lenses. Similar to Canon’s “L” or Sony’s “G-Master” lens line-up. However, this lens is not without compromise. The 50-140’s significant weight place it in a different class compared to the other APS-C peers. Plus, a full-frame camera also offers a shallower depth of field at Those using this lens for travel will be disappointed and happy. A weird conundrum, yes. The aperture will allow Shutter Speed and ISO changes in variable lighting such as cities. However, for the occasional wildlife shooter, 140mm feels too short. But at the same time, the 50-140 is one of the few regular telephoto zoom lenses by Fujifilm that is weather-sealed. What other Fujifilm lenses cover the 50-140 APS-C/76-213 FF equivalent? Is the XF 55-200 a worthy competitor? There are numerous other Fuji X lenses that cover the focal length of 50-140 some not mentioned here. However, the 50-140’s true competitors are lenses that span this length AND designed for similar styles of photography. So, here are a few lenses that have the same focal length as this one. Fujifilm XF 55-200mm XF 70-300mm Fujifilm XC 50-230mm Fujifilm XF 56mm XF 90mm F2 Additional telephoto zooms could come later. Recently, there has been an interest in some third-party Tamron especially zooms for the Fuji X Mount. Fujifilm 50-140 Sharpness As a zoom lens, we can expect variable sharpness throughout both the aperture AND focal length. However, here is what I discovered for this lens in my “official brick wall test.”1 Starting at around sharpness remains excellent throughout the entire zoom range. Kudos to Fujifilm for that. 2 The 50-140 appeared weaker at the short-end rather than the longer end. 3 The lens performs worst at expected. For the following example photos, I concentrated on the top-left portion of the photo with a crop factor of 80%. So, this is an extreme crop. Fujifilm 50-140 at around 50mm Fujifilm 50-140 at around 70mm Fujifilm 50-140 at around 90mm Fujifilm 50-140mm Fujifilm 50-140mm F8 Fujifilm 50-140mm 106 Fujifilm 50-140 around 120mm Fujifilm 50-140 120mm Fujifilm 50-140mm 120mm F8 Fujifilm 50-140 140mm Fujifilm 50-140 140mm I was happy with the sharpness of the Fujifilm 50-140 at all focal lengths and apertures. Granted, I never zoom past 100% in any of my photos. However, the complex optical design is superb. Portrait Bokeh Out of focus rendering All around, I was not very impressed with the bokeh for portraiture. Out-of-focus rendering. I don’t quite know how to describe it, but the background almost looks busy. Let’s look at example 1 where the subject makes up about 30% of the entire frame. Fuji 50-140 And now example 2 with a subject that is approximately 10% of the frame. Yes, I masked out their face. Fujifilm 50-140 140 Person’s face omitted for privacy In both pictures, I see duplicates. Which is kind of weird.For example, let’s look at example 1, again. The sign on the left-hand side looks unnatural…almost as if I photoshopped a portrait of myself in front of a shaky, long-exposure. In example 2, the dog gives the illusion of the same phenomenon. Another note about this lens’s bokeh. I was not impressed with the “ look. For example… look at the crosswalk sign. It’s easily readable. Perhaps I am too picky in regards to bokeh from a 50-140 after all a 70-200 actually has shallower depth of field on a full-frame camera. Fujifilm 50-140 Bokeh Balls Fujifilm 50-140 Bokeh Beginning at you can see some cat’s eye within the bokeh balls. It almost begins in the left 1/3 of the frame. Cat’s eye isn’t a deal-breaker for most people, and stopping down does resolve the cat’s is also no onion ring effect! Fujifilm 50-140 Bokeh F4 Fujifilm 50-140 Bokeh In my tests, I found the Bokeh balls to round-out around F4 is usable & F8 is perfect. And it is fascinating that you do not see the beginning of the aperture blades, yet. However, in order to stop down to that I will either significantly either decrease my shutter speed or increase my ISO. For the X-T4, I attempt to avoid increasing my ISO past 4000 for all photos unless I am deliberately trying to introduce noise into the photo. Fujifilm 50-140 Bokeh F8 To give you an example of the bokeh balls in real-time, please see the video below. It should provide a clear example of how the bokeh at dramatically changes from the corner to the center. Play Video about Fujifilm 50-140 Bokeh Test Video Fujifilm 50-140 Autofocus For this autofocus test, we will test via two different parts. 1 Switching between two different subject via tapping on the back LCD screen. 2 Eye Autofocus 1 Switching between two different subject via tapping on the back LCD screen. I was happy with this lens in regards to its ability to quickly switch between subject. And despite the colors of the mug, I found it to switch with relative struggled a bit with the blue mug. However, switching to the laptop case was almost immediate. For staged compositions like the one below, I didn’t have any problems. It locked on with relative ease, and I was able to take the photo. Fuji 50-140 Eye Auto-Focus Enabled with X-T4 Still Subject However, in Continuous Tracking, the Fujifilm XF 50-140 had some problems…The video below was shot at Any EyeTracking Sensitivity +2Autofocus Speed +3It’s hard to reasonably use this camera’s auto-focus. However, I could slow down the speed to create a more cinematic effect. AND I could reduce the sensitivity as well. When it comes to Fujifilm and autofocus, it’s all about using the correct settings for the scene. For example, I could have used a focus-limiter too!It might be alright for some talking head shots. Macro Results and Focusing DistanceWith a maximum magnification of .12x, the macro results from this lens are less than spectacular. Plus, with a focusing distance of 1 meter feet, you will have to step back a bit before your subject comes into focus. In this hand-held! video, you can see how long it takes for the flower to become clear. Color Accuracy I was really happy with the colors rendered from this lens. The colors are accurate. The photo below DOES have some minimal processing. I brought out the shadows in the top-right, and I had to remove the pink reflection with a mask on the grey . 50mm F8 OIS Test Play Video about Fujifilm 50-140 Bokeh Test Video Handheld at around 90mm As somebody who uses the 16mm and 10-24mm, I am use to wobbling on most of the Fuji-X lenses. However, not with this one! The footage I obtained from this lens is some of the most usable footage I have ever gotten from a Fuji X Camera!For the video below, I had both the IBIS and OIS turned on. Side Note Anything older than the X-T3 except the X-H1 within this Fujifilm ecosystem does not have IBIS. Play Video about Fujifilm 50-140 OIS Test wX-T4 Sunstars/StarburstsI stopped down to F18 for the two photos below, and I was happy with the results. 50mm 10 seconds F18 All throughout the frame, I was able to achieve about a 14-point starburst image. Now, at F18, the image and lens will suffer heavily from diffraction. The lens only has a minimum aperture of F22. However, you can still create some awesome images. The roads in DC are horrible. Notice the up-and-down light-streak on the right. 50mm 10 seconds F18 Lens Flaring I am less than pleased with the flaring from this lens. But I had VERY high expectations. Although the photo is an extreme example as I shot directly into the light source, there are not a lot of easy ways to correct this in post-production. One way to attempt to salvage this is create a mask and pull down the highlights. Fujifilm 50-140 Alright, before we get into the final rating and notes, I wanted to provide a quick list of the pros and cons of this lens. Pros of the Fujifilm 50-140 The Fujifilm 50-140 is will be pleased with the results starting at IBIS/OIS provide great stabilization. The OIS and IBIS combination allows for some handheld video. Cons of the Fujifilm 50-140 Center of Gravity and WeightWeighing only pounds, the lens feels heavy as most Fuji X cameras do not have a significant grip. If you are using a tripod, you will be able to attach the lens to the tripod via the tripod collar. And the tripod collar does rotate!BokehThis might be a “me” thing, but I wasn’t impressed. PriceSince being released, the price has not changed from the $1,600 asking point. Except for certain rebates. Newer lenses within the same price-point have better the bright side, the filter size 72mm saves you about $10 compared to an 82mm. My Final Notes I might be expecting too much from this lens. However, for a premium price, I expect outstanding performance. If I was purchasing this lens today, I would instead focus on a telephoto zoom 70-300 and a prime within the same category for low-light work. The key differentiator between that prime lens and this 50-140 is the OIS, but with the money saved, I could still purchase a well-built gimbal. At the end of the day, each camera lens is limited in its output by the photographer. And I am probably not the best person to test this lens. But I was disappointed in the price/performance ratio. My Rating Price 3/5 Photography isn’t a cheap hobby, and I think the price is excessive. I could purchase the 70-300 AND a prime lens for the cost of this. Reliability 4/5 Paired with the X-T4 or X-T3, it is reliable and the autofocus is good enough for most occasions for photography. But for video, no. Plus, I don’t foresee any issues when it comes to build quality. This will deserve a re-test with the X-H2s. Spoiler alert It holds up, making this the best XF telephoto lens for videography. Functionality 4/5 When it comes to the 70-200 FF equivalent, this focal length is desirable and has utility. However, the points are deducted as the center of gravity prevents this lens from being held comfortably on most Fujifilm cameras. Style 4/5 Metal and well-built, the Fuji 50-140 is nice. HOWEVER, the metal body leaves fingerprints. -1 Point for always looking dirty. Total15/20 or 75% Fujifilm 90mm F2 WR Review The Fujifilm 90mm F2 was the premier portrait lens with fast autofocus speeds, excellent sharpness, and good build quality. But it faces one problem. Read More » Hello, Log InAccount & OrdersX-Mount Lens/APS-C Format76-213mm 35mm EquivalentAperture Range f/ to f/22Five ED Elements & One Super ED ElementA telephoto zoom designed for use in trying conditions, the FUJIFILM XF 50-140mm f/ R LM OIS WR is a weather-sealed lens spanning the popular 76-213mm equivalent focal length range and featuring a constant f/ maximum aperture. Built for FUJIFILM X-mount mirrorless digital cameras, this fast zoom further distinguishes itself with a sophisticated design, highly effective optical image stabilization system, and a Triple Linear Motor AF system for refined focusing a protection plan from $ XF 50-140mm f/ R LM OIS WR OverviewA telephoto zoom designed for use in trying conditions, the FUJIFILM XF 50-140mm f/ R LM OIS WR is a weather-sealed lens spanning the popular 76-213mm equivalent focal length range and featuring a constant f/ maximum aperture. Built for FUJIFILM X-mount mirrorless digital cameras, this fast zoom further distinguishes itself with a sophisticated design, highly effective optical image stabilization system, and a Triple Linear Motor AF system for refined focusing performance. In regards to the optical design, this lens incorporates five extra-low dispersion elements and one Super ED element, which reduce chromatic aberrations and color fringing for increased clarity and color accuracy. Additionally, a Nano-GI coating has also been applied to elements to alter the refractive index between elements, to minimize surface reflections, and to prevent lens flare and ghosting. Additionally a rounded seven-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus telephoto zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 76-213mm equivalent focal length f/ maximum aperture offers consistent performance throughout the zoom range and excels when working in difficult lighting extra-low dispersion elements and one Super ED element are used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom Gradient Index coating has been applied to lens elements and alters the refractive index between the glass and air in order to better suppress lens flare and ghosting for diagonal incident HT-EBC High Transmittance Electron Beam Coating coating has been applied to the entire surface of each element for controlling ghosting and flare for greater contrast and color Triple Linear Motor autofocus system delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive by an enhanced gyro sensor and unique series of algorithms, the optical stabilization system minimizes the appearance of camera shake to enable sharper imaging when working with longer focal lengths or slower shutter lens body incorporates 20 distinct weather seals to protect against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14° seven-blade diaphragm contribute to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field tripod collar is included for well-balanced mounting and shooting when working from a tripod or with optional XF TC WR and XF 2x TC WR XF 50-140mm f/ R LM OIS WR SpecsFocal Length50 to 140mm 35mm Equivalent Focal Length 76 to 213mmMaximum Aperturef/ Aperturef/22Lens MountFUJIFILM XLens Format CoverageAPS-CAngle of to Focus / 1 mMaximum Design23 Elements in 16 GroupsDiaphragm Blades7, RoundedFocus TypeAutofocusImage StabilizationYesTripod CollarRemovable and RotatingFilter Size72 mm FrontDimensions ø x L x / x mmLength at Maximum / 176 lb / 995 gPackaging InfoPackage lbBox Dimensions LxWxH x x XF 50-140mm f/ R LM OIS WR ReviewsSharper than my Nikon 70-200mm lensI bought this lens the same time I purchased the Fujifilm X-T5 camera when my D800 died. I highly recommand this lens as I have noticed it's sharper than my nikon lens was and so much lighter to carry. In testing I have found I need to add at least a stop and a half to my exposures for the best results. The X-T5 in my tests have been able to handle a plus 3 exposure with no loss of high ligth detailsA Great LensI have just got my new fuji 50-140mm lens. It's a great lens. Very sharp, a fast aperture, and a very useful focal length. This lens fits nisely between my walk about 16-80mm and my supertelephoto lens!This lens fully lives up to its reputation for great build quality, feel and sharp images. In my much earlier film shooting days, with Nikon cameras, one of my favorite lenses was the Nikkor 80 - 200 which was a very big and heavy lens but produced great images. In the APS format this Fuji lens is the approximate equivalent of that lens but is much more compact and lighter which I Sharpness - Optical PerfectionThis lens is amazing. I own the Canon EF 70-200mm IS II, and this is just as good, cheaper, lighter and with an outstandingly useful tripod foot/collar. I have all the fast fuji glass 90/f2; 60/ 56/ 35/ 23/ 16/ and 18/ so I know what the best images from Fuji kit look like. This is on a par with the best of them it shouldn't be given that its a zoom. It's a useful portrait and landscape lens. With my Canon 500D close up lens/dioptre, it's a great macro lens and what I really like about it is the clarity without the need for fill flash. This is the equivalent of the Canon, but so much easier and lighter to use - overall greater utility compared to the Canon. Professionally, I've shot weddings with the Canon lens, and halfway through, the weight really cripples your arm. The Fuji 50-140 feels like a featherweight by comparison and gives images that are just as pleasing. The smaller XT series cameras are the perfect match, and really help keep the weight down. On it's own, close focus is nothing special, but sharpness, speed, stabilisation, Weather resistance are stunning characteristics that make this special. Ignore what people say about this being heavy. It is not at all heavy compared to the competition, and balances well on XT bodies. You don't need a grip either as the tripod foot makes holding it very manageable. Build quality is outstanding. I can imagine it will really take what nature and my clumsiness throw at it. B&H service was amazing as always - I had it within a week, and I live in Adelaide, Australia, so full marks for service. Bottom line - buy this lens, you won't regret it. I have just bought the Fuji X-T5, so stabilisation on that body will be amazing, but the lens is also capable of stellar images on older bodies such as the X-T2 and X-T3, which are still competitive devices a hairs breadth beneath the current state-of-the have avoided zooms like the plague and ONLY carried primes. This is the first zoom that I have used that doesn't ask me to sacrifice something... speed, IQ, internal zoom etc. made. Beautiful class lens that is capable of making beautifully sharp, contrasty images with great color rendition. Buy images, internal zoom mechanicsA perfect lens for its focal length. The one knock is that the lens hood is UNBELIEVABLY cheap at awful. Barely attaches to the lens with a simple UV light filter. I would pay extra for an aftermarket metal lens hood if one legendary equipmentThis lens is one of my favorites because it just gets the shot whether the action is fast or slow. Being a bigger and heavier lens, however, I recommend using it with a battery grip that greatly improved comfort using it on my XT3. Optically this lens is razor sharp edge to edge with colors that pop and excellent subject separation throughout the range. It definitely has a sort of look to it that is hard to put my finger on, but I like it a lot. I find image quality peaks at about f/ or so. Wide open at f/ it is just a touch and I do mean touch softer with perhaps a little less contrast. Bokeh is excellent, but I have seen better sunstars. When this thing flares it flares in a pretty epic way. But in my case I've found it pleasing and tried to incorporate it into compositions. MFD is a lengthy three feet or so, typical for lenses like this and something I'd always prefer to be shorter. Hence it is a tad more constraining to use the lens indoors, though I do so a lot. Magnification is low, but this lens still pulls it off well when you zoom in all the way and add a crop - its that sharp. AF is excellent - other than the soft whir of the motors, or thunk when you switch it off, it is smoking fast. Even in poor light, I find this lens to be quick and virtually hunt proof - it just works. If only they were all like this. OIS is excellent - I've nailed focus at 1/15th all the way out to 140mm. OIS generally doesn't interfere with my action shots, but from time to time I do shut it off just to eliminate that possibility. It would be nice if it had a panning setting. Handling and feel of the lens is great - the aperture ring has strong, positive clicks, and the zoom ring is comfortable and fast. The manual focus ring is, IMO, too slow - even when I really rip on it, it seems to take its sweet time probably to aid precision, however. I love the metal build, but can note that it can get ripping hot in the summer, and freezing cold in the winter. Hence the broad rubber zoom ring is pretty important here. Tripod collar is easy to drop into portrait mode, and makes a useful hand grip. But it is a tad annoying to take on/off as it is a tight space - not to mention you better insure they aren't loose each time to use the lens. Lens hood on mine is wiggly, and never seated itself as easily as it should have - I eventually cross threaded mine in the moment, probably ruining it though it still works. It's a poor fit, in other words, not becoming of a $1,600 lens. Other than that the 75-214mm-ish range of this lens combined with its fantastic image quality and overall performance makes it a very rewarding to use despite its size, weight, or cost. On more than one occasion this has been my one lens choice for landscape, portrait, and action. Its high versatility and performance makes it in many ways a far better value than some other Fuji lenses cough, prime lenses, cough.YOUR RECENTLY VIEWED ITEMS I want to use this on an XH-1. Is there any ... I want to use this on an XH-1. Is there any benefit to OIS when you have IBIS? The body and the lens will work in tandem to offer the best stabilization, typically the ibis will do most of the work. Answered by Rob Date published 2021-02-16 Does anyone know which way the focus works on the ... Does anyone know which way the focus works on the XF lenses? Does it pull closer to the right like canon lenses or is it the opposite like Nikon, and some Sony lenses? Asked by Patrick You rotate the lens' focusing ring to the left to reduce the focus distance, and rotate the focusing ring to the right to increase the focus distance out to infinity. However, you may go into the menu and go to BUTTON/DIAL SETTING > FOCUS RING to reverse the direction of rotation of the focus ring. Answered by Manzell Date published 2018-12-04 Is this lens good for video? I do wedding ... Is this lens good for video? I do wedding videography and need something I can zoom with from behind a crowd of people so that I'm more in the background. What Fuji lens is best for this? Asked by Megan I do not do video so all I can say about it is that it is an excellent lens! Why not rent one for a few days and see how you like it. Answered by Judith Date published 2021-10-22 If I move it side-to-side, this lens makes an ... If I move it side-to-side, this lens makes an internal rattle. Any suggestions? Asked by Dale The internal rattle is emitting from the Optical Image Stabilizer in the lens. This is a normal occurrence. Answered by Kirk Date published 2020-07-31 Recently, I was told that there was significant ... Recently, I was told that there was significant moisture in my Fuji 50-140 lens. Have others had this problem? I never used this lens in the rain. What do I do about it? Asked by Leslie I would recommend contacting Fuji for warranty service, 800 800-3854 Answered by Rob Date published 2021-01-22 I have a copy of this lens and wondering what the ... I have a copy of this lens and wondering what the minimum focusing distance with X-H1 is? It says 1 Meter, but it wont focus on subjects until 2 meters out with autofocus, but manual focus it will. Anyone else having similar issues? Asked by Lance Hi there! Sorry to hear about your problems. It doesn't sound typical, so I'd recommend you reach out over video-chat and we can try to identify/troubleshoot this problem if it still persists. Answered by Jeremy Date published 2021-04-18 Will this work on a Sony A7S II? Will this work on a Sony A7S II? Asked by Dave No, it is meant for a Fuji camera. Answered by Rob Date published 2021-01-21 Can this lens be hand held well without camera ... Can this lens be hand held well without camera shake? I have some shake in my hand due to an injury but work to stabilize it using "natural" tripods in the outdoors. How is IS on it? Asked by Annie The OIS works well and there shouldn't be any issues but a monopod would be ideal. Answered by Rob Date published 2020-07-03 Um zoom telefoto projetado para uso em condições difíceis, a Lente FujiFilm XF 50-140mm f/ R LM OIS WR é uma lente vedada contra intempéries, abrangendo a popular faixa de comprimento focal de 76-213 mm e apresentando uma abertura máxima constante de f/ Construído para Câmeras Mirrorless e montagem X FUJIFILM, este zoom rápido se distingue ainda mais por um design sofisticado, sistema de estabilização de imagem ótica altamente eficiente e um sistema AF de Motor Linear Triplo para desempenho de foco relação ao design ótico, essa lente incorpora cinco elementos de dispersão extra baixa e um elemento Super ED, que reduzem aberrações cromáticas e franjas de cor para maior clareza e precisão de cor. Além disso, um revestimento Nano-GI também foi aplicado a elementos para alterar o índice de refração entre elementos, minimizar reflexos na superfície e evitar reflexos de lente e fantasmas. Além disso, um diafragma arredondado de sete lâminas contribui para uma qualidade de bokeh agradável ao trabalhar com técnicas de foco Características• O zoom telefoto flexível foi projetado para Câmeras Mirrorless Fujifilm X no formato APS-C e oferece uma faixa de comprimento focal equivalente a 76-213mm.• A abertura máxima constante f/ oferece desempenho consistente em toda a faixa de zoom e se destaca ao trabalhar em condições difíceis de iluminação.• Cinco elementos de dispersão extra baixa e um elemento Super ED são usados para reduzir significativamente as franjas de cor e aberrações cromáticas, a fim de produzir alta clareza e fidelidade de cores em toda a faixa de zoom.• O revestimento Nano-GI Índice de Gradiente foi aplicado aos elementos da lente e altera o índice de refração entre o vidro e o ar, a fim de suprimir melhor o reflexo da lente e o efeito fantasma para a luz incidente diagonal.• Um revestimento HT-EBC revestimento de feixe de elétrons de alta transmitância foi aplicado a toda a superfície de cada elemento para controlar fantasmas e reflexos para maior contraste e precisão de cores.• Um sistema autofoco de motor linear triplo oferece um desempenho suave e quase silencioso, especialmente benéfico para aplicativos de vídeo e para áreas sensíveis a ruídos.• Complementado por um sensor de giroscópio aprimorado e uma série única de algoritmos, o sistema de estabilização ótica minimiza a aparência da trepidação da câmera para permitir imagens mais nítidas ao trabalhar com comprimentos focais mais longos ou velocidades mais lentas do obturador.• O corpo da lente incorpora 20 selos climáticos distintos para proteger contra poeira e umidade, e para permitir o uso livre de preocupações em condições adversas e temperaturas de congelamento tão baixas quanto 14 ° F.• O diafragma arredondado de sete lâminas contribui para uma agradável qualidade fora de foco, beneficiando o uso de técnicas de foco seletivo e profundidade de campo.• Um colar de tripé é incluído para montagem e tiroteio bem balanceado ao trabalhar a partir de um tripé ou monopé.• Compatível com teleconversores opcionais Teleconverter FujiFilm XF TC WR e Teleconverter FujiFilm XF 2x TC X-Mount / APS-C 76-213 mm equivalente a 35 mm Faixa de Abertura f/ a f/22 Cinco elementos de ED e um elemento super ED Revestimentos de lentes Nano-GI e HT-EBC Motor Autofoco Linear Triplo Estabilização Ótica de Imagem Construção com vedação climática Diafragma Arredondado de 7 Lâminas Colar giratório de tripé removívelDados TécnicosMontagem da lente FUJIFILM X Ângulo de visão 31,7° a 11,6° Distância Mínima de Foco 3,28 m / 1 m Ampliação Máxima 0,12x Design Ótico 23 elementos em 16 grupos Lâminas de diafragma 7, arredondado Estabilização de imagem sim Dimensões ø x L 82,9 x 175,9 mm Itens Inclusos Lente FujiFilm XF 50-140mm f/ R LM OIS WR Tampa de Lente de 72mm Tampa de Lente Traseira para Lentes FUJIFILM X-Mount Para-Sol da lente Colarinho TripéAvaliações do ProdutoPerguntas e respostasVitrine Vitrine Blog WorldviewLançamentos, dicas, tutoriaisE tudo sobre fotografiaFique por dentroCadastre-se e recebaNossas Novidades The Fujifilm XF 50-140mm f/ R LM OIS WR is not a new lens in the Fujifilm lineup, it is however a lens that still turns a lot of heads. If you’ve just switched to Fujifilm’s X series of cameras and you shoot professionally, is this a lens you should buy? Find out in our full review. We’ve had the Fujifilm XF 50-140mm f/ R LM OIS WR on loan for a few weeks now along with the X-S10. We’ve put it through the wringer and are ready to share our findings with you. See if this is a lens that will suit you and your shooting style below. Pros All metal buildWeather sealingStabilizedFast autofocusTack sharp optics Cons Some heavy flaring and ghostingPincushion distortion throughout zoom rangePretty weightyPrice Fujifilm XF 50-140mm f/ — Technical specifications All tech specs are from the product listing page at B&H Photo 76-213mm 35mm EquivalentAperture range f/ to f/22Optical Design 23 elements in 16 groupsDiaphragm Blades seven roundedFive ED elements & one super ED elementNano-GI and HT-EBC lens coatingsTriple Linear autofocus motorOptical image stabilizationWeather-sealed constructionRounded 7-blade diaphragm72mm UV filterMinimum focus distance / 1 mDimensions ø x L x / x mmWeight lb / 995 g Fujifilm XF 50-140mm f/ — Ergonomics and build quality The Fujifilm XF 50-140mm f/ R LM OIS WR, while much smaller than similar lenses for full-frame cameras, is pretty stout for an APS-C lens. The lens is just under 7 inches long, inches in diameter and it weighs in at a hefty You’re going to know you’re carrying this lens around. I used the lens with the X-S10. I wouldn’t say the combo balanced well, however, the tripod collar helped when it came to handling. Still, every cloud has a silver lining. The weight is due to the incredible materials that Fujifilm used to build this lens. The all-metal build makes this a tough lens that’s sure to stand the test of time. The lens also has ample weather sealing, which means you can go and party in the rain. It’s a serious piece of kit for those who have to get the shot no matter what. In the hand, the Fujifilm XF 50-140mm f/ feels great. The aperture ring is firm and not easily knocked out of place. The small manual focus ring is on the stiff side but turns smoothly. The larger zoom ring is not as hard to turn and again, operates smoothly. There’s just one switch on the lens that enables or disables the optical image stabilization. The body of the lens is solid metal but there’s no texture. While it feels premium, the lack of texture means the lens is prone to unsightly smudges and fingerprints, which you can see in the image above. Overall, the Fujifilm XF 50-140mm f/ R LM OIS WR is a solid lens that will stand the test of time. It feels nice in the hand despite its overall size and weight, which is on the large size in relation to the cameras it will be used with. Fujifilm XF 50-140mm f/ — In the field Most creators see these telephoto lenses as being for portrait photography. However, the zoom range on offer 76-213mm with the APS-C crop and the fast maximum aperture make this lens incredibly versatile. During my review period, I used the lens for portraits, environmental portraits, landscapes, candids, and more. Yes, the lens is one of the heavier offerings from Fujifilm, but you soon get used to the weight and size of the lens. I had no problems with it during a rather lengthy hike. The lens is pretty easy to use too. The aperture ring is great, though if you don’t like using it you can set it to A and can control the aperture via the camera body. The lens zooms internally so there’s no need to worry about lens creeping. The optical image stabilization is also pretty fantastic. It serves up five stops of stabilization. I was able to handhold down to 1/15th of a second and could still get respectable results. I didn’t get to test out the weather sealing due to having a non-weather sealed camera on hand. However, I do not doubt that this lens will stand up to harsh conditions. The Fujifilm XF 50-140mm f/ R LM OIS WR is a confident performer out in the field. Fujifilm XF 50-140mm F/ — Autofocus performance I have used Fujifilm lenses that are rapid when it comes to autofocus speeds and Fujifilm lenses that are a little geriatric. The Fujifilm XF 50-140mm f/ falls somewhere in the middle. The lens isn’t blazing fast, but it’s no slouch. There’s a lot of glass for the Triple Linear motors to move around, so the performance is about where I expected it to be. It’s going to be fine for all but the most rapid action. Still, having said that, I had no problems capturing portraits with eye focus, street-style shots, and candids. The lens performed well in single and continuous focus modes and it tracked well. There was a little hunting at times in low light situations but overall, autofocus performance was sprightly. Fujifilm XF 50-140mm f/ — Image quality In a word image quality is stunning. I thought the images looked good on the LCD of the X-S10, but wow, my jaw hit the ground when I started editing the images on both my iPad Pro and my desktop. The Fujifilm XF 50-140mm f/ is a pricey lens, but you certainly get your money’s worth when it comes to the final product. Let’s break image quality down further. Distortion control and vignetting When it comes to distortions there’s some slight pincushion distortion that is present throughout the entire focal range. It’s not any better or worse at the short or long end. It stays consistent. It’s easy to fix during post, so that’s a plus. On a more positive note, there’s no vignetting to speak of here. Keep the lens correction profile turned on and you’ll have nothing to worry about. Ghosting, flaring and chromatic aberrations The Fujifilm XF 50-140mm f/ does a good job when it comes to controlling flares when shooting directly into light sources and the large lens hood eliminates all flares when shooting with the sun off to the side. When it comes to ghosting, the XF 50-140mm has the same weird green dot issue that plagues many other Fujifilm lenses. You can see them between the tines of the sun stars in the image above. This will be somewhat of an issue if you shoot portraits with the sun behind your subject. You do also lose a little bit of contrast but it’s nothing major. There are no chromatic aberration issues to talk about either. I tested the lens in some pretty hard contrast scenes and I didn’t see any green or purple fringing. Sharpness The Fujifilm XF 50-140mm f/ R LM OIS WR is up there with the sharpest lenses Fujifilm has on offer. The 56mm f/ and the 90mm f/2 are perhaps the sharpest Fujifilm lenses I have used, and the 50-140mm gives them a run for their money across the entire zoom range. The corners are perhaps a tad soft at f/ but you have to look to see it. Diffraction doesn’t become an issue until you get down to around f/11. This telephoto zoom is like having several primes in one. The performance is impressive. Bokeh Whether you’re shooting at the short or long end the bokeh is pleasing. This should come as no surprise. Telephoto lenses and the compression they offer do wonders for out-of-focus areas. When you combine compression with fast apertures you get magic. When shooting at the long end you can melt away backgrounds. Bokeh balls are pretty round in the center of the frame. There are some cat’s eye bokeh balls toward the edges and corners but they still look nice. If you shoot portraits or do product photography, you’ll love the bokeh that this lens can render. Color rendition How are the colors? Oh, baby! They’re gorgeous. You’re going to get bright, bold, beautiful colors that are perhaps a little more saturated than other lenses put out, but they look fantastic. The fall foliage in the images above really popped. The lens doesn’t lean toward the warm or cool end of the spectrum which is nice. It also renders pleasing skin tones, which is great seeing as many photographers will pick this lens up for portrait work. Fujifilm XF 50-140mm f/ is like multiple primes in one The Fujifilm XF 50-140mm f/ R LM OIS WR is not a new lens in the Fujifilm lineup, it is however a lens that all Fujifilm photographers should dream of owning. It’s that good. The lens is beyond sharp, it renders the most gorgeous colors and bokeh, it focuses fairly quickly and it’s accurate. Aside from some weird ghosting and the weight compared to the cameras it will attach to, it’s a joy to use. From a build quality standpoint, the Fujifilm XF 50-140mm f/ is one of the most well-built lenses Fujifilm puts out. The lens feels like a premium product and it’s weather-sealed to the nines. It’s an expensive lens at just under $1,600 but it’s worth it. If you shoot portraits, product photography, photojournalism or even landscapes, the XF 50-140mm f/ is a lens that will help you create jaw-dropping images. Fujifilm XF 50-140mm f/ R LM OIS WR The Fujifilm XF 50-140mm f/ R LM OIS WR is a premium lens for professional photographers who demand more from their glass. This lens is beyond sharp, it renders gorgeous colors and bokeh and the autofocus is speedy and accurate. This lens has a solid metal construction and it has plenty of weather sealing for when the going gets tough. It’s a must-have for Fujifilm shooters. William Chua Singapore FUJIFILM X-T3｜50mm｜ R LM OIS WR Jacek Bonecki Poland X-T10｜140mm｜F8｜1/500｜ISO200 R LM OIS WR Luca Bracali Italy X-T1｜130mm｜F10｜1/180｜ISO640 R LM OIS WRJens Burger Germany X-E3｜106mm｜F5｜1/250｜ISO250 R LM OIS WRCutting-Edge Image QualityBlending the best in optical design with leading-edge lens coatings, the R LM OIS WR delivers true-to-life clarity, contrast, and detail in every scene. Fujifilm’s Nano GI coating reduces ghosting and flare when shooting into strong light, while six ED lens elements, including one Super ED extra-low dispersion element, minimize aberrations and increase resolving power. With its constant aperture at all focal lengths, the R LM OIS WR guarantees great subject separation, faster shutter speeds, and high-speed AF. The large maximum aperture allows rich and smooth bokeh, letting you achieve shallow focus effects with ease. Triple-Speed AFAs a lens that’s primed for sports and action subjects, fast, quiet, and reliable autofocus is a must. The R LM OIS WR delivers this by combining аn innеr fосuѕіng sуѕtеm with thе wоrld’ѕ fіrѕt trірlе lіnеаr mоtоr. Shift focus from the closest to infinity in the blink of an eye so that you never miss a moment. Triple Linear MotorSilent, Fast, and Accurate AFSharper Than EverWith built-in Optical Image Stabilization OIS, you can be assured of sharper pictures. The lens’s advanced gyro sensor provides five stops of stabilization, increasing to six stops*1 when mounted to an X Series camera that has In-Body Image Stabilization, like the X-T4. This feature allows you to shoot handheld at slower shutter speeds, leave your tripod at home, and open up new avenues of low-light creativity. stopimage stabilization functionPortable PowerFast zooms like the R LM OIS WR are usually big and heavy. But like the X Series bodies it’s designed to complement, this lens is streamlined in size and weight. At just under 1kg, you can use it all day without getting tired, as well as leaving more room in your kit bag for extra gear. Ready for the ElementsProfessional lenses need to be ready to help capture amazing images in all conditions, especially adverse weather. The lens’s dust- and weather-resistant construction lets you immerse yourself in your photography, even in rain, snow, humid, freezing, or dusty environments.*2 Dust- and Moisture- resistant-10℃Operable down to -10℃ Accessories That Extend Its ReachCompatible with the and TeleconverterCombine the R LM OIS WR with a FUJINON teleconverter for increased focal FUJINON TC WR70mm-196mmF4 equivalent to 107mm-299mm in the 35mm formatWith FUJINON XF2X TC equivalent to 152mm-427mm in the 35mm format Luca Bracali Italy X-T1｜196mm｜F4｜1/1000｜ISO1600 R LM OIS WR TC WR *1 When combined with the FUJIFILM X-T4. *2 Needs to be combined with a weather-resistant camera nameFUJINON R LM OIS WRNews releaseView pageBrochureView PDF

fuji xf 50 140mm f 2.8 r lm ois wr